6/1/2023 0 Comments Supercollider brooklynThe Composer in the Computer Age III, CDCM Series Volume 18, Centaur, 2006?. "Any Resemblance is Purely Coincidental"."Earth's Magnetic Field" (originally released in a longer version on Nonesuch/Elektra 71250 in 1970)Ĭomputer Music, Nonesuch/Elektra 71245, 1970Īny Resemblance is Purely Coincidental, New Albion, 1994.Music ĭodge created many works in the field of computer music, including Earth’s Magnetic Field (1970), which mapped magnetic field data to musical sounds, Speech Songs, a 1974 work that used analysis and resynthesis of human voices, The Waves (voice and computer music), Profile, and Any Resemblance is Purely Coincidental (1978), which combines live piano performance with a digitally-manipulated recording of Enrico Caruso singing the aria "Vesti la giubba."Ĭolumbia-Princeton Electronic Music Center 1961-1973, New World Records, 1998. The company has experienced growth every year since its founding in 1998. In addition to his work as a composer, Dodge is noted for co-authoring the highly praised book Computer Music: Synthesis, Composition, and Performance, ISBN 0-02-864682-7 īest known in recent years as the owner, with his wife Katharine, of the Putney Mountain Winery in Putney, Vermont. This this is typically due to the same business receiving both first and second-draw loans, but may also include similarly named but unrelated businesses, multiple branches of the same business, mistaken multiple applications, or potential fraud. In May 2009 he retired from the position of Visiting Professor at Dartmouth College, a post he held for 18 years. ALERT: There are 2 PPP loans for a total of 58,164 in our database for businesses with the name 'Supercollider Inc' in Brooklyn, NY. In the early 1990s Dodge left Brooklyn College for Dartmouth College. During Dodge’s years as Professor of Composition and Director of the BC-CCM, Dodge not only had the BC-CCM designated as an official Center within Brooklyn College in 1978 but more importantly brought it to a world-class standing in the field of computer music. He also taught at the City University Graduate Center. įrom 1970 to 1977 he taught at Columbia and subsequently founded the Brooklyn College Center for Computer Music (BC-CCM) (1977) at Brooklyn College of the City University of New York where he was Professor of Music. Dodge was one of the leading innovators in the emerging field of computer music composition (as opposed to analog electronic composition, the norm in the field through the 1970s). While at Columbia, Dodge was very active at the Columbia-Princeton Electronic Music Center. He also studied at Princeton University in 1969-70. He is a former student of Darius Milhaud and Gunther Schuller.ĭodge received his undergraduate education (BA) at the University of Iowa in 1964, and earned his MA (1966) and doctorate (DMA) (1970) at Columbia University. Ames, Iowa, June 5, 1942) is an American composer best known for his electronic music, specifically his computer music. ( Learn how and when to remove this template message)Ĭharles Malcolm Dodge (b. See what your friends are saying about Supercollider. JSTOR ( January 2010) ( Learn how and when to remove this template message) See 61 photos and 17 tips from 561 visitors to Supercollider.Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful.įind sources: "Charles Dodge" composer – news Many waited in line for the Oculus Rift, others watched the videos and the performance, people came in and out, and everyone had drinks.This biography of a living person needs additional citations for verification. Attendees to the event have two possible levels of involvement with the production: a primary, general performance for everyone, and an individual secondary, short-term interaction (based on availability due to the total attendance during the three hour performance window). The three artists explore the notion of space through movement, the use virtual reality technology, and suggested through the arrangement of sound. The project was developed through the incorporation of three diverse artistic practices, showcasing dance, composition, and the Oculus Rift DK2. This is the music made for that performance.Ī presentation by New York–based composer and media theorist Mike Rugnetta, with contemporary dancer Arletta Anderson and writer-theorist Emily Eifler. I ended up making a performance piece with Arletta Andersen (dance) and Emily Eifler (Virtual Reality Headset). In October of 2014, Kenneth Paris Becker invited me to make a site specific work for the Wattis Gallery at CCA in San Francisco, California.
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